NaPoMo Haiku Chase – day 3

Yeah! We have 6 different strands going! To join in, choose any strand and write a new haiku using the last line of the last haiku in the strand.

Or, for the more creative or stubborn, start a new strand by using the last line of the foundational haiku (that’s the one that’s at the beginning of each strand). Or riff on any existing strand by writing new haiku after the 2nd or 3rd or 4th one, thereby creating a new strand like a new branch of a creek.

1
Bluebells and tulips
should never be both in bloom
But still—such beauty

But still—such beauty
the deer jawbone parched in mud,
teeth, even, intact

teeth, even intact,
ache, throb, clenched after reading
ice melts, white bears, dead

2

Bluebells and tulips
should never be both in bloom
But still—such beauty

But still – such beauty.
Seattle springtime washes
everything in gray.

3
Bluebells and tulips
should never be both in bloom
But still—such beauty

But still–such beauty
A forest of pink petals
Cherry trees in bloom

4
Bluebells and tulips
should never be both in bloom
But still—such beauty

But still—such beauty
the deer jawbone parched in mud,
teeth, even, intact

teeth, even intact,
ache, throb, clenched after reading
ice melts, white bears, dead

Ice melts, white bears, dead.
we pretend a misty dream;
Santa’s North Pole cold.

5.
Bluebells and tulips
should never be both in bloom
But still—such beauty

but still, such beauty!
laugh lines kvell bubbe’s punim,
to hell with botox!

to hell with botox!
chicken fat, patent pending,
fresh from the schmaltz pot.

6.
Bluebells and tulips
should never be both in bloom
But still—such beauty

But still–such beauty
A forest of pink petals
Cherry trees in bloom

Cherry trees in bloom
Petals fall, tears one year
after tsunami

NaPoMo April 3rd – “an infinity of outcomes”

an infinity of outcomes
Elliott batTzedek

such fragility in stone if
atoms began to unbond themselves my house
would be dust or even mystery for a future Ph.D.
dung heap missing walls, stone
having become gas

and if our planet’s protons, depressed by the state of
things, go all negative on us we might
find ourselves water or copper or
toolittletoolate-amonium

a change so small you can barely
understand it, knowledge dissolving into
chaos of no-longer-theoretical-physics
probability disintegrating into
pray lib obit or baby lip riot or pitiably orb

anything, in short, could so easily be anything
else and yet you lie by me quivering
cells controlled by some unknown, alien, invader bent
on making your nerves set themselves ablaze, a burning
doctors cannot name so cannot help so I

am again up late looking for healers: psychics, palm readers,
proctors of past lives, providers of snake skins or bee balm,
re-birthers, re-energizers, the energizer bunny, particle physicists,
particle board, anything that might be
an answer or that at the very least will not stare past us proclaiming
Some people learn to live like this
for in a universe of infinite realities this can’t go on being real:
you lying there, like that
me watching you, like this

NaPoMo Haiku Chase day 2

The founding haiku:

Bluebells and tulips
should never be both in bloom
But still—such beauty

A response from Lisa Wujnovich:

But still—such beauty
the deer jawbone parched in mud,
teeth, even, intact

My response to hers:

teeth, even intact,
ache, throb, clenched after reading
ice melts, white bears, dead

AND we have other first day responses you can use to launch your next haiku in the chase!

But still – such beauty.
Seattle springtime washes
everything in gray.
Dane Kuttler

but still – such beauty
in the deep of new-found grief
shattered love revived
Lynne McEniry

But still–such beauty
A forest of pink petals
Cherry trees in bloom
Debra D’Alessandro

and it begins – National Poetry Month (NaPoMo)!

This year I’m going easy on myself, starting with a haiku chase. I’ll write a haiku today, then tomorrow take the last line of today’s and start another.

Y’all are invited to jump in, too! Choose any last line, whether of mine or someone else’s, and write that haiku!

Bluebells and tulips
should never be both in bloom
But still—such beauty

The first Shez translations have been published!

The Spring 2012 Issue of Trivia went live today, including the first four Shez translations to ever appear in English! I’m so happy! And, when I asked that the Hebrew be included, the editors worked hard to find a way to make that happen. Go read ’em, and stay to take in the other great writing and photography in the issue:

Trivia Spring 2012 Shez translations

on Adrienne

from Hugh MacDiarmid’s manifesto “The Kind of Poetry I Want,” quoted by Adrienne in her speech/essay “Poetry and Commitment.”

A poetry the quality of which
Is a stand made against intellectual apathy,
Its material founded, like Gray’s, on difficult knowledge
And its metres those of a poet
Who has studied Pindar and Welsh poetry,
But, more than that, its words coming from a mind
Which has experienced the sifted layers on layers
Of human lives—aware of the innumerable dead
And the innumerable to-be-born…

A speech, a poetry, to bring to bear upon life
The concentrated strength of all our being…

Poetry of such an integration as cannot be effected
Until a new and conscious organization of society
Generates a new view
Of the world as a whole…

—A learned poetry wholly free
of the brutal love of ignorance;
And the poetry of a poet with no use
For any of the simpler forms of personal success

March 28th 2012

If you really know me, you’ll know
that I could quite possibly sing sections of “Sources”
to that three-finger-picked high melody soaring up Foggy Mountain.

On days like this I know what Adrienne meant
by “split at the root,” I know, because she taught me to know,
that everything that lies stored in us
is the source of our strength and that
the horrible place that opens in our center
when we are so split
is where poetry
grows in that most uncomfortable
most quickening
womb.

Poetry Wednesday – “The Kiss” by Anne Sexton

Poetry Wednesday – “The Kiss” by Anne Sexton from the anthology intimate kisses: The Poetry of Sexual Pleasure, edited by Wendy Maltz